
Tuesday, November 24, 2009
Friday, November 20, 2009
Thursday, November 19, 2009
Thursday, November 12, 2009
Music for gray winter days.
I've been sick, and the weather here in the southeast has been more than accommodating for the past couple of days: rain, drizzle, condensation and cold winds combined with leaden grey clouds have created an environment more conducive to being morose and miserable than any other, with the possible exception of an IRS auditor's office. So I used the weather as a lead-in to indulge myself in more of my favorite, morose, winter music, because it was just that kind of week.
I took the opportunity to return to the work of Bon Iver, because it was on constant rotation pretty much all last winter for me, and always felt somewhat out of place to listen to on a sunny summer day. I was pleased to note that the music held up as well as I remembered after a year off, and found that the song "Blood Bank" has managed to get a death grip on my ear this time around.
I'm not normally a fan of songs that tell a story, but this one tells a neat compact little tale, with a few standout couplets that so that the narrative feels less like a novel, and more like one of Hemingway's short stories. Papa Ernest used to claim that the best and shortest of his stories only had six words: "For sale: baby shoes, never used." The story fills in the space between those words, so instead of feeding you the description, you are forced to work it out for yourself. This song works the same way. In the space of two and one-half verses, you get the gist of an entire life. The narrator tells a short, stream of consciousness story about visiting a blood bank and talking with someone who is never really identified but may in fact be a friend, a lover or a random stranger, about... well, random things. You're introduced to the story already in progress in the eponymous blood bank, looking at bags of donated blood and musings on relatives, mortality and connections. The song hinges on a kiss that isn't necessarily romantic, but more of a human longing for contact with someone, anyone on a cold winter day. And it all finally ends on a reflection on shared secrets, infatuation, and childhood.
I can't say exactly what I've been allowed to witness here, but I'm sure I've been there, and in the back of my mind, I still know exactly what the cold vinyl seats in the car smelled like...
- You said "Ain't this just like the present,
To keep showing up like this."
As the moon waned a crescent,
We started to kiss.
Video by sklyrovka on YouTube, who managed to hit the nail on the head.
Thursday, November 5, 2009
Friday, October 30, 2009
Sparkly!?
from: Nosferatu: A Symphony of Horror, Murnau, 1922
Once upon a time, back when I was in high school, remember sitting with my friends trying to figure out what supernatural creature would be the next unicorn. I laughingly suggested that in the future pre-teen girls would have posters of vampires on their walls, all pouty and brooding. We cracked up at that, because we were all fans of the gothic side of vampires, the stuff of Anne Rice, Nosferatu, and Bram Stoker. Creatures who were as far from teenage romanticism as possible. Creatures whose very existence was an affront to all that was holy or natural. Now I think of that conversation and sigh.
See, once the night was a lot darker than it is now. And people would sit in small cramped houses and hear things out in the night, and it wasn't a matter of flipping on the flood lights and seeing what it was that was going bump. You had pretty much two choices, you could go out and fumble around and maybe find what you were looking for by the light of a torch, or you could stay safe by the fire and tell stories of what you thought you heard. The best of the stories would circulate from house to house, constantly being improved on, and added to, much like a clay sculpture being molded and refined, until at last there was a visage staring back at you, full of the most horrifying and frightening creatures your mind could conceive of made flesh and whole. And then, your creature would take on a life of its own, but still you have the power to hold it back. Oddly enough you subtract by adding: garlic, silver, crosses, stakes, daybreak... all these additions bind the unbridled fear and allow you a handle to restrain your unholy offspring.
The problem is that eventually the unbridled fear of the original is watered down, and made fit for mass consumption. The glass slipper loses its razor sharp edge, the witch is spared the fire of the kiln, and the creature of the dark is free to move in daylight, but bereft of its ability to capture you and lead you into its crypt-like world.
But for one, night... on one particular night we pull all the old horrors out of the back of the closet and let them loose once more. The lids of the coffins creak, and we jump with genuine fear. We put on display all of the sins we revel in, and we let them own and control us, and we laugh because it's only for one night, only for show and only for make believe, but for one night, we let the vampires retake their fangs, and let them fly true and frightening again, and for one night, we make tales about the creaking floorboards, which spread from house to house...
Thursday, October 22, 2009
'Tis I wonderful thing to travel, but 'tis far better to be able to return.
An interesting story of cross-country travel in the 1920's on a motorcycle. Highlights: fixing a broken frame with wire, pushing a bike across a railroad bridge, and dirt roads.
Friday, October 16, 2009
Wednesday, October 14, 2009
Wednesday, October 7, 2009
Red sky in the morning, sailors take warning...
Monday, October 5, 2009
Monday, September 28, 2009
Apply palm to forehead.
Reassembly is the inverse.

To update the previous: Not an eaten valve, just Yamaha and their incredibly insane valve settings. How one company can come up with half a dozen different valve gaps for the exact same engine is a matter for the engineers to figure out.
Thursday, September 24, 2009
A momentary time of absolute freedom, followed by a crashing sound.

People occasionally ask me why I ride a motorcycle. It's obviously unsafe, frightening and loud. And in spite of all that, there are the moments when you're hunched over the tank, a fast wind pulling at your face and tears streaming back from the far corners of your eyes and a dull red sound echoing back from somewhere below and behind you that makes it all worthwhile.
The other half of this is walking home, sweat dripping out from under your padded jacket and 450 pounds of dead weight resisting your motion towards home.
My bike apparently ate a valve this past week. I'm so sick about it right now I can't even think about it much. I go out to the shed, look long and hard at the bike and try to remember the flying but all that comes to mind is the pushing. Fixing it is a job. Pulling the engine out of the frame, lifting the head and hopefully only discovering a bent valve, if I'm lucky, or a holed piston, if I'm not. Less the lion or the princess and more the lion or the tiger...
I'd sell it, but I can't bear the thought of condemning myself to the ground. Not just yet, anyway.
Friday, September 18, 2009
Happy 300th Sam Johnson

"Still it is undecided whether or not there has ever been an instance of the spirit of any person appearing after death. All argument is against it; but all belief is for it."
- - Boswell's Life of Samuel Johnson
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